Anna Karenina

Leo Tolstoy\'s novel, Anna Karenina, upon its release received a
mix critical reception, with Russian critics either condemning
or applauding the novel primarily on its views of Russian society.

Thematically, the novel parallels its heroine\'s, Anna Karenina,
moral and social conflicts with Constantin Levin\'s internal struggle
to find the meaning of life. There are many others underlying themes
which links the novel as a whole, yet many critics at the time only
looked upon its critical view of Russian life. Henry James called

Tolstoy\'s novels as "loose and baggy monsters\' of stylessness, but

Tolstoy stated of Anna Karenina ".....I am very proud of its
architecture--its vaults are joined so that one cannot even notice
where the keystone is." That is absolutely correct, because within

Anna Karenina, there exists many themes that are all linked together
to create such a wonderful piece of work. Critics tend to miss the
role that the theme of life and death plays in Tolstoy\'s Anna

Karenina. Despite its apparent meanings, these two themes are
intertwined in the novel and provides a backbone for some of the other
existing themes. With a masterful touch, Tolstoy is able to use these
two themes to show the characters in their true forms at both stages.

The characters are shown to be living in a state of delusion, and as
the characters find themselves at times of near death situations or on
their deathbed, they are able to reveal themselves truthfully.

Many of the characters in the novel are able to show their "real
self" and at times of death, there is a point of reversal in the
characters. This is most evident in the scene of Anna\'s near death
experience during her illness. This event brings about a change in

Karenin and even Vronsky as they trade positions. Karenin suddenly
becomes human and not hidden from life by his administrative
regulations. His carapace cracks, and he becomes drunk with sympathy,
dazzled by his own generosity. Death for Karenin becomes the basic
truth which makes him___ a living human being capable of love. While
on the other hand, Vronsky takes on the role of Karenin, he is unable
to deal with Anna\'s deathbed crisis and even goes as far as attempting
to suicide. This awareness of life-in-death provides the climax of the
novel, with the main characters perceiving the truth from the
heights of their emotional intensity. Hate and deceit no longer exist
in the presence of death, and the three characters live in a
moment of pure innocence.

Yet as the crisis ends, and everything returns to normality, Anna,

Vronsky and Karenin return to their old ways to live in that world of
delusion. Anna and Vronsky continues with their ill-fated love, while

Karenin despite his ennoblement, finds Anna cannot love him and
reverts back to his old ways. This clearly shows that death brings
about the ultimate truth of life and the world of the living is just a

Death in the novel is personified by Levin\'s brother, the
all-too-intimate Nikolai, whose lingering, ghastly death pushes Levin
to make the leap of faith. This the leap of faith which the other
characters had experienced, but were unable to retain after their
dramatic experience with death. Levin is unlike them, and is in fact,
able to discover for himself the meaning of life in the world and
retain his leap of faith. For Levin in the end, he is no longer afraid
of death and even though he does not completely change, he now knows
the meaning of life and is at peace.

Levin\'s example here provides for the reader an insight into

Tolstoy\'s intertwining and complex structure in Anna Karenina. The
reader is able to better understand how the role of death is critical
to the novel. Levin serves as the backbone for Tolstoy\'s emphasis on
the "natural life" where one loves and procreates, as opposed to the"unnatural life" where one lives by abstract principles. The natural
man, according to Tolstoy, grasps life through all its realities and
can then understan death. Intellect and spirit merely bypass essential

While in the world of the living, Tolstoy shows the reader the
delusions of life through various characters. Especially apparent is
the princess Betsy Tverskoy who is so caught up in her daily life and
is unable to change. She throws extravagant dinner parties for that
part of society which feasts on delusions. The irony behind it is that
they, despite their disillusionment, mocks Anna at one of the parties
where she had shown up with her lover, Vronsky. This is in essence the
downfall of