Candide - Voltaire\'s Writing Style

In Candide, Voltaire uses many writing techniques which can also
be found in the works of Cervantes, Alighieri, Rabelais and Moliere.

The use of the various styles and conventions shows that, despite the
passage of centuries and the language differences, certain writing
techniques will always be effective.

One common literary technique is the author\'s use of one or more
of his characters as his \'voice\' to speak out the authors views on a
certain subject. For instance, in Moliere\'s Tartuffe, the author uses
the character of Cleante to speak out against religious hypocrites
(page 1419, lines 99-102):

Nothing that I more cherish and admire

Than honest zeal and true religious fire.

So there is nothing that I find more base

Than specious piety\'s dishonest face.

In Candide, Voltaire makes use of several characters to voice his
opinion mocking philosophical optimism. On page 1594, Candide is
asking a gentleman about whether everything is for the best in the
physical world as well as the moral universe. The man replies:
...I believe nothing of the sort. I find that everything goes wrong in
our world; that nobody knows his place in society or his
duty, what he\'s doing or what he ought to be doing, and that outside
of mealtimes...the rest of the day is spent in useless
quarrels...-it\'s one unending warfare.

By having this character take on such a pessimistic tone, he
directly contradicts the obviously over-optimistic tone of Candide.

In the conclusion (page 1617) an old turk instructs Candide in the
futility of needless philosophizing by saying that "...the work
keeps us from three great evils, boredom, vice, and poverty." In each
of these examples, the character chosen by the author comes across as
a reasonable and respectable person, making the author\'s point of view
seem just as reasonable and respectable.

Another technique Voltaire uses in Candide is that of taking
actual people and events and weaving into his work of fiction. He
often does this to mock or ridicule his political and literary
adversaries, as shown in the conversation between the abbe\' and the

Parisian supper guests (page 1593). The abbe\' mentions two critics who
in Voltaires time have criticized his work. The critics are referred
to as boring and impudent by the supper guests. In much the same
manner Alighieri, in The Divine Comedy, has placed many of his enemies
in various circles of Hell. In one instance (page 797), Dante himself
pushes one of his political enemies back down into the swampy waters
of the river Styx. In Gargantua and Pantagruel, Rabelais mentions a
series of text books which are a part of the sort of educational
curriculum that he is satirizing. He ridicules their use in that it
takes Gargantua so long to learn simple tasks such as memorizing the
alphabet. In each of these cases, the authors are able to speak out
against people or practices in a way less confrontational than public
speaking, as well as state their opinion in a form where they cannot
be immediately contradicted.

Voltarie has occasion to use the comedic style of exaggeration
in Candide, such as the Baron\'s sister refusing to marry Candide\'s
father because he can only prove seventy-one quarterings of his family
tree. Later, Candide is sentenced to receive a flogging for having
deserted the Bulgar army. He must make thirty-six passes through the
gauntlet of two thousand troops. More outlandish examples of
exaggeration can be found in Gargantua and Pantagruel, such as the
size of Gargantua\'s mare (as big as six elephants) or the weight of
his dumbbells (each one is eight hundred and five tons). Beside being
entertaining to read, these exaggerations serve to point out the
ridiculousness of an ideal by showing it in a preposterous light.

The format in which Candide is written closely resembles that of

Cervante\'s Don Quixote. In both books, the authors have chosen to name
each chapter in a descriptive style; the name of the chapter tends to
be a brief description of the action that is to take place within it.

Compare chapter three of Don Quixote, "Of the amusing manner in which

Don Quixote had himself dubbed a knight." with chapter three of

Candide, "How Candide Escaped from the Bulgars, and What Became of

Him". Alighieri uses this method in The Divine Comedy as well,
although on a much less descriptive level. Each of the cantos in his

Divine Comedy has short three or four word descriptions of what
happens in the canto. Many chapters in Candide end with some sort of
lead-in to the next chapter, giving the book a certain feel similar to
today\'s television serials. This method is used in Don Quixote
(chapter 8), but