Supernatural in Shakespeare\'s Plays

In the time of William Shakespeare there was a strong belief
in the existence of the supernatural. Thus, the supernatural is a
recurring aspect in many of Mr. Shakespeareıs plays. In two such
plays, Hamlet and Macbeth, the supernatural is an integral part of
the structure of the plot. It provides a catalyst for action, an
insight into character, and augments the impact of many key scenes.

The supernatural appears to the audience in many varied forms. In

Hamlet there appears perhaps the most notable of the supernatural
forms, the ghost. However, in Macbeth, not only does a ghost appear
but a floating dagger, witches, and prophetic apparitions make
appearances. The role of the supernatural is very important in Hamlet
and Macbeth.

A ghost, appearing in the form of Hamletıs father, makes
several appearances in the play. It first appears to the watchmen,

Marcellus and Bernardo, along with Horatio near the guardsmens\' post.

The ghost says nothing to them and is perceived with fear and
apprehension, ³It harrows me with fear and wonder². It is not until
the appearance of Hamlet that the ghost speaks, and only then after

Horatio has expressed his fears about Hamlet following it, ³What if it
tempt you toward the flood, my lord, or to the dreadful summit of the

The conversation between the ghost and Hamlet serves as a
catalyst for Hamletıs later actions and provides insight into Hamletıs
character. The information the ghost reveals incites Hamlet into
action against a situation he was already uncomfortable with, and now
even more so. Hamlet is not quick to believe the ghost, ³The spirit
that I have seen may be a devil... and perhaps out of my weakness and
my melancholy..abuses me to damn me², and thus an aspect of Hamletıs
character is revealed. Hamlet, having no suspicion of the ghost after
the production by the players, encounters the ghost next in his
motherıs room. In this scene the ghost makes an appearance to ³whet²

Hamletıs ³almost blunted purpose². Hamlet is now convinced of the
ghost and he no longer harbors any suspicion. He now listens to it,
³Speak to her, Hamlet².

In Hamlet, the supernatural is the guiding force behind

Hamlet. The ghost ask Hamlet to seek revenge for the Kingıs death and

Hamlet is thus propelled to set into action a series of events that
ends in Hamletıs death.

The supernatural occurs four times during the course of

Macbeth. It occurs in all the appearances of the witches, in the
appearance of Banquoıs ghost, in the apparitions with their
prophesies, and in the ³air-drawn² dagger that guides Macbeth towards
his victim.

Of the supernatural phenomenon evident in Macbeth the witches
are perhaps the most important. The witches represent Macbethıs evil
ambitions. They are the catalyst which unleash Macbethıs evil
aspirations. Macbeth believes the witches and wishes to know more
about the future so after the banquet he seeks them out at their cave.

He wants to know the answers to his questions regardless of whether
the consequence be violent and destructive to nature. The witches
promise to answer and at Macbethıs choice they add further unnatural
ingredients to the cauldron and call up their masters. This is where
the prophetic apparitions appear. The first apparition is Macbethıs
own head (later to be cut off by Macduff) confirming his fears of

Macduff. The second apparition tells Macbeth that he can not be harmed
by no one born of woman. This knowledge gives Macbeth a false sense of
security because he believes that he cannot be harmed, yet Macduff was
not of woman born, his mother was dead and a corpse when Macduff was
born. This leads to Macbethıs downfall. A child with a crown on his
head, the third apparition, represents Malcolm, Duncanıs son. This
apparition also gives Macbeth a false sense of security because of the

Birnam Wood prophesy.

The appearance of Banquoıs ghost provides insight into

Macbethıs character. It shows the level that Macbethıs mind has
recessed to. When he sees the ghost he reacts with horror and upsets
the guests. Macbeth wonders why murder had taken place many times in
the past before it was prevented by law -²statute purged the gentle
weal²- and yet the dead are coming back.

The final form of the supernatural is the ³air-drawn² dagger
which leads Macbeth to his victim. When the dagger appears to him,

Macbeth finally becomes victim to the delusions of his fevered brain.

The dagger points to Duncanıs room and appears to be covered in blood.

The dagger buttresses the impact of this key scene in which Macbeth
slays King Duncan.

The supernatural